In my work, I strive to playfully and permissively investigate and explore topics in life that feel incomprehensible and sometimes dark or unpredictable, trying to embrace and be present both inwardly and outwardly. My process is a kind of search for deeper meaning for myself, but also from a broader perspective about human relationships. One way I approach these reflections is by embodying fantasies and sensations in sculptural form. For example, a sense of presence, a visual or intuitive sensation, something that wants to make itself known but is only visible when the gaze is directed in another direction.

Along with this, I have an interest in legends, myths, and folklore, especially the beings in the stories. Although many stories of this type have come about as a guideline or warning to control and scare, I am attracted to playing with the idea that they are based on a grain of truth. That there are places and existences here parallelly with the reality I know, something that sometimes overlaps and interacts.

The human body is central and a recurring source of inspiration, not as a model first and foremost, but rather as the fantastic tool it is. I believe there is something deeply human in wanting to work with your hands, creating something, and the satisfaction it gives. Perhaps it is also the desire to leave a mark.